Prepare to be captivated by the intriguing story of Michael Zavros, an artist whose life and work are intertwined in a captivating narrative. Michael's 30-year marriage has come to an end, yet he and his wife continue to share a roof, raising questions and curiosity about their unique living arrangement.
As you step into Michael's latest exhibition, titled "Meet the Zavros's," at Dunedin's Public Art Gallery, you're greeted by a striking sight: a stuffed peacock, a symbol of pride and beauty, preserved for all to see. But beyond this initial impression lies a deeper layer of meaning. Among the portraits and self-portraits, a mannequin of Michael himself appears in carefully staged photographs, capturing a unique family dynamic.
In a video tour of the exhibition, Michael explains the underlying theme: the idea of the collectible trophy. Co-curator Lucy Hammonds elaborates, highlighting the peacock's multifaceted symbolism, from male vanity to immortality in ancient cultures. The bird's "eyes" and feather shedding represent heaven and rebirth, adding layers of interpretation to Michael's work.
As you delve further into Michael's recent creations, a sense of disturbance and intrigue emerges. His latest works explore themes of death and endings, portrayed through various mediums. From massive canvases depicting Ionic columns to poignant oil paintings of deceased family pets, Michael's art reflects a deep engagement with mortality.
The artist's animal menagerie holds a special place in his heart. Even during our conversation at his family home in Brisbane, a newly hatched gosling named Sauron (a nod to Leo's creative naming of the family's ducks and geese) provides a heartwarming moment. Michael's connection to animals extends beyond his art, as he shares stories of loss and the challenges of being an animal owner.
The breakdown of Michael's marriage to Alison Kubler has been a painful journey, yet the couple has chosen to maintain a united front for the sake of their children. Despite the separation, they continue to live together, a decision driven by their desire for stability.
Michael's artistic practice has evolved over the years, pushing boundaries and exploring diverse mediums. From "drowned" Mercedes to bronzes, miniatures, and installations, his work is a reflection of his unique perspective and technical prowess. His recent appointment as artistic director for the Gold Coast BLEACH Festival showcased his ability to bring grand ideas to life, even when faced with the challenge of relinquishing control.
The title of Michael's Brisbane exhibition, "Things Fall Apart," is a nod to a novel by Nigerian author Chinua Achebe, reflecting the idea of destiny and change. John McCormack, a founder of the New Zealand gallery Starkwhite, highlights how Michael's work has evolved, moving from painting beautiful things to exploring deeper themes of family and self.
Michael's art often blurs the lines between personal life and artistic expression. His work oscillates between genres, from self-portraits to still lifes and installations, each piece carrying its own unique story. The dichotomy between his introverted home life and extroverted artistic output is a fascinating contrast.
Despite the challenges of anxiety and depression, Michael continues to create, finding solace in the creative process. His art serves as a reflection of his inner world, inviting viewers to explore the nuances and deeper meanings within his work.
As Michael returns home from his New Zealand trip, a new experiment awaits: an old etching press acquired from artist Elisabeth Cummings. Playing with this new tool will be a well-deserved reward for his hard work and a testament to his ongoing artistic journey.
Michael Zavros's story is a testament to the power of art to reflect and shape our lives. His work invites us to explore the complex relationship between art and life, leaving us with a deeper understanding of the human experience.
